Maxine Manges

Longwood Gardens

After a visit to the gardens, I wanted to tell the story of a child gazing into the water so I put her in the middle of the pond..like a water lily pad. 

Peace and Quiet

After many iterations this painting made itself into a gentle horizontal reference to the lanscape, Strata, a message I return to often

While walking out on the pier in Indianola I saw the pink sky in the distance
Indianola in the Rain 24 x 24
From the top of the Gondola Queenstown

Mixed media on paper  30" x 22" using water color and collage 

Underlying surfaces show traces of last year's crop, now buried in white
Fargo 24 x 24 Acrylic on Board
Strata again
Cotton Candy Acrylic on Board 24 x 24

Many under paintings provide thin strips of color exposed by lines removed while the painting is being smothered in white 

From my Cousin's Window
This painting was one of three done for the 250 the year anniversary exhibition at the Communuty Arts Center
Crossing the Rio Grande

My work is vibrant. I can draw easily and am familiar with different materials. Having been trained in painting in the 70’s, I was introduced to Minimalism and Abstract Expressionism, as well as the English painters at that time, I love Francis Bacon and Howard Hodgkin. Art history was straight forward as we were looking back at the history that was presented to us in books, With the choices we saw in our lecture theater, I loved Matisse and Bonnard, rejected Renoir and Monet, (too squishy), loved Gauguin and Cezanne over Chagall, preferring their strength to the softness. This does not explain my love of color and pattern, which comes from Tribal African Art . Perhaps it’s a combination of all of it.  Reverence for compositional strictness and love of painterly excesses were just right for me. The result is that my style evolved to waft between gestural flourishes and minimalist rigidity.